A short promotional video for MiaBelle Bridesmaids. Shot on location at the Regency Townhouse Brighton -November 2020.

Back in October 2020, I was creating this beautiful scene in the gallery at Somerley House (you may recognise it from The Crown, Bridgerton, The Royals)

Our gorgeous models stand motionless like sculptural installations in a short break between photographing the day. What a beautiful day and such a privellage to work amongst amazing creatives in these beautiful surroundings

So it’s official…I’m totally rubbish at keeping up with my blog posts.

Soz.

To get you up to date, last year was manic and now , its not. I’m sure that all Creatives and the Self Employed Creatives especially, are feeling this right now. What do you photograph when all your work is cancelled and you are only allowed out of your home to shop or exercise ?😬

Times are tuff for ALL of us so stay strong and stay home.

Credit cards, Mortgages and Rent payments will just have to wait, and they will, because we are all in the SAME BOAT. Please don’t forget that. Who knows how long it will take for this to end, but we will all come through it (all be it, probably still pulling our scarves over our mouths, when we go into a shop even after we get the all clear ..don’t say its just me feeling this?)

I’ve been struggling with my mental heath during this lockdown time, in all honesty…I’m pretty sure we all have, and I’ve got it easy. My heart goes out to all those families with no outside space and children locked down in your house! You must be feeling pushed to your limits , the media could be kinder to your plight I think.

I live in Brighton, its got a very large local community and most live in flats. So, if you see Brighton on the News and your are being told its flooded with people, (yes, some are obviously ‘Day Trippers’) , bust most of us actually live in this beautiful town and we all use the Promenade area to exercise. Please don’t judge us too harshly for loving where we live. Just everyone keep their distance and we’ll be fine.

I would like to end this monologue on a positive note, my work taken pre lock down (October’ish last year) is being published now and this has been a small delight to my day. I would like to share some images from Your Sussex Wedding @cwm_wedding taken at the end of last year and out now in their digital magazine available for FREE. This work was taken at the Hobbit House @oastbrook vineyard and featuring the gorgeous @nameherkatie .

They were taken on a slightly chilly and drizzly day but I don’t think you can tell...the pool was heated anyway 😉 xx

Take care and keep smiling everybody xx

On a gorgeously warm, if not a bit overcast day, our creative team ventured into the inner London Wall and the amazing Brutalist Architecture that is The Barbican Centre to photograph the bespoke collection from HEMYCA London.

We utilised the amazing, clinical, concrete lines of the Architecture all around us and added the softest of touches that was our stunning model Zelal skilfully matched for us from BMA models

It was a beautifully quiet day, this allowed us to roam freely around the incredible Architecture. I utilised the space to its absolute fullest by, at first, taking in a full recce of the site a few weeks previously (having an absolutely brilliant time at the Museum of London along the way, I highly reccomend a visit btw!

Its always best to know EXACTLY where you are photographing (in a very detailed level) especially if it is a styled editorial shoot, before you arrive. Taking a detailed recce of your desired location is the very best way to know the ‘ins and outs’ of the area you are photographing. Marking in key locations in your notes before hand is professional and makes your models feel at ease with their environment.

(I can’t imagine not knowing a location before a photo shoot or potentially missing out on gorgeous backdrops!)

Putting a potentially new model at ease in his/her environment is 90% of the photographer’s job after all I feel, we are the designers and creators of the photo shoot and it is up to us to personally make our subjects feel at ease in a location.

It doesn’t matter how extreme or unusual it is, if we get this right, our models will trust us and feel free to perform.

In this particular shoot, Zelal was put at ease. Our amazing team were on hand at all times with reassurance and guidance. We focused our attentions on the location and the obviously stunning architecture of the Barbican Centre, but also, on the dramatic lines the stunning architectural creations of the HEMYCA London brand. Bringing the two together in a harmony of clean lines, simple shapes and a cool elegance of structure.

On a warm August day I was lucky enough to photograph for the amazing, timeless brand that is Cornelia James.

Featuring the stunning and totally lovely Georgia, we had some serious fun taking shots on location at the local farm and it’s beautifully picturesque surrounding areas.

Some of these images were created at a very old Sussex train Station near Glyndebourne, East Sussex .A totally un-flustered Georgie jumped on and off of trains pulling into the station and worked her model magic as some sped through at high speed. This shoot was an absolute pleasure to photograph, when an amazing team of creatives get together the atmosphere is quite literally, electric!

This shoot was very skilfully styled by the incredible Genevieve James, daughter of the late Cornelia James who’s brand she continues on with utter grace and style.

This beautiful look was created by the amazing and completely lovely Lizzi Payne She created several fascinating looks throughout the day that completely transformed Georgie from ‘City girl’ to, ‘Country Girl’ and continuing on through to ‘Dusk ‘til Dawn’ looks . A truly amazing feat of pure hair and make up artistry at it’s finest.

For this shoot I used my trusty Nikon D850 with various Prime lenses to capture the best of the light and action taking place before me. Working with a model as professional as Georgie makes my job as easy and as joyous as can be. Once in the flow, it’s the most incredible creative experience to photograph for such visionary brands such as Cornelia James.

I would always recommend taking a recce before hand so that you have a very clear idea of the type of shots you are going to take (obviously with the client’s brief ever present in your mind) There is nothing worse than kicking yourself afterwards if you miss a shot that could have really enhanced a campaign.

If you are luck enough to find a like minded client, as in my fortunate case, the day can unfold so rapidly, that before you know it, its over….. until next time , hopefully x

On a chilly but bright early Spring 2019, our team of intrepid creatives ventured to Shoreham Harbour beach front to photograph an editorial for Shuba Magazine. Our beautiful model for the day was the stunning Jen from BMA models wearing a stunning selection of stylish outfits designed by the talented stylist Liz White. Our hair and make up artist for the day was the super lovelocks;y and equally talented Louise Andrews .

As with any location photoshoot, the weather is always a major factor. Being early Spring in Sussex we never know what to expect, but luckily (for Jen anyway) the weather was bright but chilly. I am always amazed at how resilient models are when asked to wear a flimsy outfit and look beautiful in sub zero temperatures. Jen is a true pro however, nothing was too big an ask- she was barefoot all the time and didn’t complain once!- Okay, maybe just the once when I asked her to go into the sea!

She still obliged my creative request, unfortunately after turning instantly blue, we all thought it best that she came out again super quick. When models are pushed to their physical limits the photo’s aren’t usually the best, as was in this case! Something to be remembered for all future photo shoots I think.

These behind the scene images are mainly taken by me to save time with light metering/white balancing and colour collaboration. I try not to waist the model’s valuable ‘Go’ time by making them wait for me to set up. I also like to take these sort of behind the scenes shots for the team’s portfolios, as well as being an interesting record of the day.

The final shoot is available to see on my Fashion pages, its one of my personal favourite shoots. I particularly enjoy the colour and contrast of the back drop. Soft pastels and sometimes harsh light (although in these moments we were all warmed up somewhat. I hope you enjoy seeing what god on in a location shoot- My camera for this shoot was a Nikon D810 with a 50mm Prime lens f1.8.

I am super proud to announce that my image taken from a photo shoot at Stanhill Court Hotel from Christmas 2017 is now gracing the front cover of Your Sussex Wedding Magazine This image feature the absolutely beautiful Layla Harris wearing a stunning hand made White Queen’esque neck adornment from Lula Lupin . You can see the rest of the shoot on pages 94 and 95 inside of this special Christmas edition. The dress featured is from Morilee and is called Kiki. I absolutely loved photographing this beautiful shoot in such a stunning Heritage building, the light was cool but bright and we really went to town with our beautiful table decorations, floral creations and Wedding cake! See the shoot here Your Sussex Wedding Magazine !